![]() ![]() ![]() Farm and cook! Grow crops, catch and tend to animals, cook recipes and make tasty smoothies to keep your stomach happy.Fight! Defend your raft from the dangers of the ocean and fight your way through perilous destinations.Dive! Drop anchor and explore the depths for more resources.Navigate! Sail your raft towards new destinations and overcome their challenges, uncover their story and find new items to help you on your journey! Here is a summary of some notable changes: The deprecation of support for Java 8 and Scala 2.12 Kafka Raft support for snapshots of the metadata topic and.Research! Learn new things to craft in the research table.Build! Expand your raft from a simple wreckage to a buoyant mansion. ![]() Craft! Build survival equipment, weapons, crop plots and more to help you stay alive!.Hook! Use your hook to catch debris floating by.Multiplayer! Survive by yourself or with friends in online co-op! Download Raft Survival - Ocean Nomad and enjoy it on your iPhone, iPad, and iPod touch.Overcome the challenges therein, uncover the story of its previous inhabitants and find your way to the next destination! However, thirst and hunger is not the only danger in the ocean… watch out for the man-Įating shark determined to end your voyage!įind the last parts of civilization still above water. Resources are tough to come by at sea: Players will have to make sure to catch whatever debris floats by using their trusty hook and when possible, scavenge the reefs beneath the waves and the islands above. Objective to stay alive, gather resources and build yourself a floating home worthy of Raft throws you and your friends into an epic adventure out on the big open sea, with the Trapped on a small raft with nothing but a hook made of old plastic, players awake on a vast,īlue ocean totally alone and with no land in sight! With a dry throat and an empty stomach, About This Game By yourself or with friends, your mission is to survive an epic oceanic adventure acrossĪ perilous sea! Gather debris to survive, expand your raft and set sail towards forgotten and dangerous islands! ![]()
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![]() The edited MIDI file can be played from its interface.
![]() ![]() ![]() ![]() The totally fetch concept was created by identical triplets Erin. Time to let your inner mean girl shine with this new Mean Girls themed eyeshadow palette by Instagram-famous make-up company Storybook Cosmetics, made in collaboration with Paramount Pictures. Burn Book: Mean Girls inspired: Its full of secrets - Blank Notebook/Journal - 6' x 9' - 120 pages (Mean Girls Burn Books) R G 529 Paperback 1 offer from 6. At General Pallets, you can count on quality products we use virgin wood only, our heat-treated pallets are certified by the Package Research Laboratory and we meet ISPM-15 certification. The 12-pan eyeshadow palette features an array of not regular shades, but cool shades. Afghanistan, Albania, Algeria, American Samoa, Andorra, Angola, Anguilla, Argentina, Armenia, Azerbaijan Republic, Bahrain, Belarus, Benin, Bhutan, Bosnia and Herzegovina, Botswana, Brazil, British Virgin Islands, Burkina Faso, Burundi, Cameroon, Cape Verde Islands, Central African Republic, Chad, Chile, Colombia, Comoros, Congo, Democratic Republic of the, Congo, Republic of the, Cook Islands, Costa Rica, Côte d'Ivoire (Ivory Coast), Djibouti, Dominican Republic, Ecuador, El Salvador, Equatorial Guinea, Eritrea, Ethiopia, Falkland Islands (Islas Malvinas), Fiji, French Polynesia, Gabon Republic, Gambia, Georgia, Ghana, Guam, Guatemala, Guinea, Guinea-Bissau, Guyana, Haiti, Honduras, India, Iraq, Jamaica, Kazakhstan, Kenya, Kiribati, Kyrgyzstan, Laos, Lebanon, Lesotho, Liberia, Libya, Macedonia, Madagascar, Malawi, Malaysia, Mali, Marshall Islands, Mauritania, Mauritius, Mayotte, Micronesia, Moldova, Mongolia, Montenegro, Morocco, Mozambique, Namibia, Nauru, Nepal, Netherlands Antilles, New Caledonia, Niger, Nigeria, Niue, Palau, Panama, Papua New Guinea, Peru, Puerto Rico, Russian Federation, Rwanda, Saint Helena, Saint Vincent and the Grenadines, San Marino, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Solomon Islands, Somalia, Suriname, Svalbard and Jan Mayen, Swaziland, Tajikistan, Tanzania, Thailand, Togo, Tonga, Trinidad and Tobago, Tunisia, Turkey, Turkmenistan, Tuvalu, Uganda, Ukraine, United Arab Emirates, Uzbekistan, Vanuatu, Vatican City State, Venezuela, Vietnam, Virgin Islands (U.S. This Mean Girls Burn Book eyeshadow palette is so fetch November 8, 2017. Brown pallets: IPP (IPP Logipal from Europe) Stamps, markings and colors can reveal important information about a pallet, including the overall quality. STORYBOOK COSMETICS Storybook Cosmetics x Mean Girls Burn Book Storybook Palette. ![]() ![]() ![]() The menus are often smaller than in full-service restaurants, meaning that you don’t have to worry about keeping track of hundreds of ingredients in your inventory. ![]() In these concepts, labor cost goes way down, because staff are often cross-trained to work front of house (as cashiers) and back of house. This has given way to the surging fast-casual chain restaurant like Shake Shack, Panera, and Raising Cane’s. This model used to be associated exclusively with fast food concepts, but in the past few years, more and more high-end restaurants have taken this approach to cut down on labor costs. They pick up their food at the counter when their number is called. This more informal model is where guests line up to order at a counter and either give their name or are given a number, and they seat themselves at communal or individual tables in the restaurant. However, by sticking with the classic, you’re stuck with the typical problems facing the industry, including high labor cost, because you’ll need a full roster of front- and back-of-house staff, and you won’t have much control over your table turn times. Also, customers are most accustomed to this framework, so it’s unlikely that the flow of service will be interrupted by someone who “doesn’t get how it works”. This is the model that most people associate with full-service restaurants - guests are seated at a table when they arrive, a server leaves them with menus and takes their drink orders, the server returns with drinks to take their food orders, they (or a food runner) bring the food, they eventually return to drop the check, and then they’ll either take payment with pay-at-the-table technology or by going back and forth between the table and a POS station.īecause this is the standard for full-service restaurants, most servers have worked in this type of environment before, meaning they won’t have to be trained as extensively as you would if you implemented a more innovative service model. We’ll handle your info according to our privacy statement. Improve the way you manage your restaurant's staff, operations, technology, finances, and everything else in between. ![]() If you'd like to contact Toast please call us at: You must have Javascript enabled in order to submit forms on our website. Restaurant news, advice, and stories - right in your inbox. You’re probably already familiar with those two, but we’ll define them anyway: subscribe The two most common service models for restaurants are table service and counter service. Service models in the restaurant industry are ways of preparing, presenting, and distributing food to your guests. One of the most important things you’ll decide is what kind of service model you’ll adopt. When you’re coming up with your restaurant concept, there’s a lot to consider, from your menu to your management style to your location. ![]() It’s part of what makes this industry so exciting - what works for one restaurant may not work for another, and the model that sent one restaurant into the red could spell success for the one down the street. In the restaurant world, one size does not fit all. You should contact your attorney or other relevant advisor for advice specific to your circumstances. You are responsible for your own compliance with laws and regulations. DISCLAIMER: This content is provided for informational purposes only and is not intended as legal, accounting, tax, HR, or other professional advice. ![]() ![]() ![]() How could the CCMI function if T-Mobile was opening their arms to Google? Well, the answer is that it would be impossible. ![]() That makes sense since T-Mobile announced a big partnership with Google a couple of weeks ago that included using Google Messages on all Android phones going forward with RCS along for the ride. I don’t believe the CCMI was ever a serious solution.Īnyways, fast forward to today and the CCMI has disbanded, according to Light Reading. Just being honest here, the whole thing always came across as the type of announcement to be used as a bargaining chip to shake down Google in messaging. At one point, CCMI suggested they would create an RCS messaging app for Android that would become the standard across carriers here, but I’m not sure they ever made much progress. We haven’t talked about the CCMI since our initial write-up because there hasn’t been much to talk about. Called the Cross Carrier Messaging Initiative (CCMI), the plans were for this group to come up with their own RCS solution that didn’t include Google and would also let them rake in additional cash by slapping brands all up in your messaging experience. With new RCS capabilities all four wireless carriers together will be able to create better overall mobile messaging customer experience.You may not remember the news, but in October of 2019, just as Google was starting to force RCS into its Messages app outside of the US, the big US carriers (Verizon, T-Mobile, and AT&T) announced an RCS-related venture of their own. This collaboration exemplifies how working together can enhance the entire mobile ecosystem.”ĭoug Garland, General Manager of the CCMI joint venture, said, “By collaborating with Synchronoss, we’ll be able to successfully advance the messaging experience through RCS and take the next step to further the conversational commerce ecosystem. He noted that the launch of this initiative marks the beginning of an advanced messaging era in the United States that will unite communication services and entertainment in a completely new way. Glenn Lurie added, “Synchronoss, along with our partner WIT Software, has seen first-hand how powerful advanced messaging can be around the globe, and we believe there is tremendous potential for this in the U.S. wireless customers to manage their digital life and enabling efficient and convenient interactions with their favorite brands from a single application.” Glenn Lurie, President and CEO of Synchronoss Technologies, said, “The cross-carrier messaging initiative has the potential to transition the wireless ecosystem to a new, innovative messaging service that will power new experiences – allowing U.S. Moreover, the application will allow users to add advanced multimedia functionalities to their text messages and interact with their favorite brands without switching from one application to another. The company stated that with customer consent, this technology will allow corporations to interact with their customers directly using branded, interactive multimedia communications and one-to-one messaging. The solution can also help meet the growing demand for content rich, personalized interactions through messaging communications, Synchronoss said in a press release. This platform, based on the RCS standard that was developed together with technology partner WIT Software, can create a messaging ecosystem that allows consumer brands to attain a new level of engagement. The US tech giants have recently launched Cross Carrier Messaging Initiative (CCMI) and will cooperate with cloud, messaging, digital and IoT product specialist Synchronoss to offer a compatible Rich Communications Services (RCS) application to Android devices in 2020. New Jersey, US-based Synchronoss Technologies has announced that it is working with a new joint venture formed by the four largest mobile operators in the United States – AT&T, Sprint, T-Mobile and Verizon – to speed up the delivery of an advanced mobile messaging service to consumers and businesses in all four mobile networks. Share on Facebook Share on Twitter Pinterest Email LinkedIn ![]() ![]() ![]() I remember reading in an interview (translated to French only) that he was aware of the controversy, and that it just made him terribly sad.Īlso, to anyone who liked Rule of Rose's soundtrack, you should try listening to the works of György Ligeti - I'm pretty sure he had a great deal of influence over Yutaka Minobe. Just picture a drunk Yoshiro Kimura trying to make sense of European conservatives going bananas over stuff that aren't even in his game. I don't know who came up with this blatant lie, but for someone who's supposedly horrified by perverted stuff he sure has a lot of imagination. Yeah, right.Īnother one - Bernard Depierre - not only insisted that the game features "the rape, torture and murder of a young girl" - but also that it is "the game's main goal" and that the "player who'd show the most cruelty would win the game", whatever that's supposed to mean. Such comments are covered in the article but a lesser-known fact is that he concluded his rant by basically calling the game. One - Lionnel Luca - stated that Rule of Rose had to be banned on the grounds that it features "the rape of a 5-year-old girl" and allows the player to take part in "torture scenes". ![]() ![]() Politicians from the country's main right-wing party went bonkers over it. I don't know about what transpired outside of Europe, but what I do know is that the controversy went to seriously silly lengths in France. Julian Petley & al., Moral Panics in the Contemporary World, London, Bloomsbury Academic, 2013: a collection of essays containing an article on the hysteria surrounding Rule of Rose (Staksrud & Kirksæther, ''He who buries the little girl wins!' Moral panics as double jeopardy.: the case of Rule of Rose.'). Official Rule of Rose Website - Official website, there's an interview with the team in the "staff" section. Rule of Rose Mysteries - All the speculation/theorizing you could ever ask for about the game. "And that theme." Ooops, the link to the song didn't make it into the article, the sentence makes no sense without it. " Brown will not do the fetching part of fetch quests, but he can given any quest item" add " he can be given" After " It's effective because it's so unusual." add the sentence: " It also symbolizes the emotional "bonds" that tie the children together." I usually don't like to go on about symbolism, but in this case the game uses rope in a symbolic sense in the epilogue's storybook. The mention of Love-de-Lic could be linked to the page on HG 101. " some inanimate objects also speak in using the same stylistic device" should be " speak through the same". Maybe replace the upper one with a picture of the chalkboard item menu? The sepia image of Jennifer and her dog shows up twice (top and bottom). The actual magazine article I couldn't track down (it's not on the magazine's website). That's the bit of video game journalism I'm most proud of: as far as I can tell, no english video game author mentions the article as the starting point of the moral panic. What happened to the picture of the magazine Panorama? It's horribly tiny but I didn't find another one. ![]() ![]() ![]() So you should be able to download from the official supersync downloads page: The QNAP Server version would be version 1.1 and have tried fixing the major bugs, making Server version more stable. Anyways, the Beta is now going GA (general availability) on Monday. Anybody has managed to login with the default password? Is there a way to configure from shell command line? Thanks Chrisĭarshin wrote:Hi, Sorry about that, I didnt observe it earlier. It does not accept admin/admin and keeps on asking me for username and password. Thanks, Darshin Hi, I downloaded 6.0.1 and installed it, but the default admin password does not seem to work. The latest version of desktop ensures you dont face authentication and music transfer issues. Also, please download the latest SuperSync Desktop version (Version 6.0) - being released along with the major Server update. Some of the suggestions here have been taken into consideration for the next release and the team has already started working on it. Regards, Darshinĭarshin wrote:Hi, Sorry about that, I didnt observe it earlier. We appreciate the feedback and the reporting of bugs and issues and will use the input in improving SuperSync Server for QNAP. We encourage you all to keep us posted on any issues and feel free to contact our support team from our support page on Also, I would be keeping a regular track of all the posts here from now onwards, so you can feel free to post to this thread as well. Really appreciate you helping out the other users too. Hi, Thank you for pointing it out and am going to put this suggestion forward to the engineering team. Let's hope Supersync crew does listen here. ![]() I guess I'll keep trying different combinations until I strike one that works for me.Code: Select all /share/Qmultimedia/Music Yes, somewhat poor the Supersync installer or init code does not make use of the (NAS stored) default share folder device information (in /etc/config/def_ ) certainly readable for the Supersync installer to distinguish the base path - if the SuperSync default path would have shown as /share/Qmultimedia it would have been much more user friendly for everyone. Thanks for the suggestions (and link), guys. I haven't tried this, but maybe it'll work since hijazist doesn't seem to have a problem with that configuration.Īlso make sure that the Rovelight itself is set to HSS.Īnd that link that was provided has a ton of info about various setups if you can find the time to go through it. You might to try the same instead of having the 622 mounted on the RL trigger. With my set-up I have the TX in the hotshoe set to HSS (I haven't even messed with SS) and the 622 tethered to the 600 via the sync port. Well if you're getting a dark band, evidently the HSS isn't kicking in. This is a long thread about the RL600 on POTN where they discuss all trigger combinations: I am using a regular trigger on the camera's hotshoe while the RL remote is piggybacked on it. What physical arrangement of triggers do you use? I have mine set up with the TX in the hotshoe, and a regular 622 with the RL trigger mounted on it in my pocket.Īny other thoughts as to what might be the cause of this? Yes, the RL is in HSS mode. I'm getting a dark band across one side of my shots when I shoot above 250 with the YN triggers set to manual mode. Is there any reason you'd rather use that than just the HSS mode? That's what I use when higher shutter speeds are needed and it seems to work fine. I currently use that combo but haven't used SS mode. Anyone using this combo… do you set the TX to SuperSync mode? And if so, what offset do you use? ![]() ![]() Dying Light: The Following PlayStation 4 Video game Xbox One, Dead Island, game, text, poster png 512x512px 279.27KB.Counter-Strike: Global Offensive Counter-Strike: Source Counter-Strike 1.6 CSPromod, COUNTER, blue, logo, video Game png 800圆00px 39.65KB.Unreal Engine 4 Game engine Video game, engine, game, text, trademark png 1200x1308px 51.2KB.Left 4 Dead 2 Counter-Strike: Source Xbox 360 Video game, dead, text, logo, video Game png 1176x568px 751.85KB.The Walking Dead: A New Frontier The Walking Dead: Season Two Clementine Lee Everret, the walking dead logo, text, logo, video Game png 2000x1300px 1.74MB.Every one of my guys has been told that in 2010, the ACU is going to be replaced. The most persistent rumor, and rumor it is only, is that 2010 Multicam is going to replace the ACU. None of my guys returned home with any of it. This use was region specific and mission specific. ![]() The reproduction Marpat also sucks and does not last well.ġ/3 of my department are Reservists, many with 3 tours in the bad place, and only the SF units have used multi-cam in Afghanistan. New Marpat is too dark for most of what we do. The 511 Woodland worked as well as half fade Marpat. Real USMC Marpat with a half fade worked nicely 99% of the time. My opinion is they are overdone and too many useless pockets.įor what we do, ACU sucks. But at nearly 3 times the price and they have zero advantage over the others in pocket and cargo design. The original and genuine Multicam sets have been the best we tested. The UV treatment does not reduce this effect as the Propper sets fade. The Propper wax feel sets really suck when faded, glowing like a light bulb under Night Vision devices, even when washed in UV free detergent only. The pattern becomes less effective when it fades. The pattern is extremely effective and works. My SWAT team tested Multicam by Tru-Spec and Propper with mixed satisfaction on the cloth lots used by these two manufacturers. Now there is the under body armor version from each with the cool shirt center and camouflaged sleeves.Īt one point these were the only authorized sellers of genuine Crye Precision cloth and pattern, and the rip-off patterns were banned from e-bay sales. This cloth feels like waxed nylon and after 8-10 washings becomes more wearable, but now faded. Propper sells both a BDU and ACU cut uniform 60-40 ripstop, color and cloth variation #4. Tru-Spec sells a BDU uniform in 65-35 poplin, color and cloth variation #3. Color and cloth variation #2 but allegedly military grade 50/50 nyco. Tru-Spec sells the TRU uniform similar to the ACU. Color and cloth variation #1 but military grade 50/50 nyco. The digital patterns also were designed to defeat night vision units, where multi-cam does not.Ĭrye Precision sells their product which I own. This reduces the blob effect of other camouflage patterns.ĭigital camouflage patterns have the closest to zero blob effect. Multi-cam has a fade pattern built in where the colors fade from dark to lighter in the colors and have what appears to be overspray within the pattern. You will note on the old woodland pattern camo the sizes of the patterns were in the 3-4" range except for the back dog-bone which is 7-8" At 100 yards or less, camouflage patterns of 1" function and beyond 100 yards becomes a solid color because the normal human eye cannot discern smaller, similarly to camera and rifle scope functions of 1X is what you see at 100 yards, etc.Ģ00 yards, 2", 300 yards 3", and 400 yards 4". Most camouflage is based on the inch pattern. Matter of fact, the cammo guys will tell you that after 100 yards, all camo paterns become ineffective as camoflage and the dominate mixed color is what saves your bacon. Take the current ACU pattern and make the colors the same as the Crye and it would work just as well. So, it's not that the Crye is that great of a pattern, it's that the color is the color that has worked since the early ages in most environments. Lets face it, what is the base color of the Crye? OD, a color our for fathers figured out a long time ago. ![]() ![]() ![]() ![]() Are you truly healthy? Find out how to achieve optimal performance from the inside out. Foundations & Optimization Foundation & Optimization of your mind and body.Fertility From fertility treatments to pregnancy tips and parenting advice, our blog has everything you need to start your family.You might just be inspired to do the same! Case Studies & Testimonials From improved energy levels/sleep to better gut health, these case studies make for some incredible stories from people and their roads to a better healthy life.Brain & Neurological A comprehensive look at Brain & Neurological disorders, what they are, how they’re caused, and the various treatment options available.Here’s what you need to know about these chronic conditions, the latest research and treatments. Autoimmune & Chronic Disease Autoimmune & Chronic Disease affect more than 23 million Americans.Produces carotenoids: lycopene, astaxanthin, beta-carotene, and lutein.MegaSporeBiotic has quickly become a household favorite among health practitioners and consumers alike. This unique probiotic blend aims to RECONDITION the gut instead of reseeding with probiotic strains that cannot survive digestion or colonize the gut. Once inside the large intestine, these dormant spores can change into their active, vegetative forms and begin colonizing in the gut. 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If 1 capsule every other day causes side effects, try starting with 1/2 capsules or even 1/4 capsule in some cases. ![]() Start with 1/2 capsule or 1 full capsule with food and slowly increase to 2 capsules per day using the following protocol. MegaSporeBiotic is a probiotic blend of 5 Bacillus spores that have been shown to maintain healthy gut barrier and immune function. MegaSporeBiotic boasts a 5-year shelf-life, does not require refrigeration, and maintains a healthy gut microbiome. This unique all-spore formula effectively RECONDITIONS the gut by promoting microbial diversity and maintaining key health-promoting, commensal gut bacteria. MegaSporeBiotic is a 100% spore-based, broad-spectrum probiotic shown to maintain healthy gut barrier function. ![]() ![]() ![]() The other side is for family memories, which tends to “save” more of the “Hudson – no star rating” photos. One is my Portfolio, which I pretty much agree with your reasoning. But no rules without exceptions, hey?Ģ) I have two modes for my photography (as a serious amateur with single jobs at times). Optimally I would like to see a crop tool within Browse, but I can relate to that being personal and a bit quirky, since it does break my rule of never editing in the culling processes. Compared with LR, such cropping process takes a bit too long still (waiting for dual screens which might reduce the need for immediate cropping since I can use a full screen for viewing, still maintaining the grid on the other screen). This makes my editing flow almost 100% interruptible and re-start-able with a minimal start-up/close-down time.ġ) with a 45Mp camera I still like to crop some of my “poor pictures” to discover a lot of “Hudson 2-stars”. Except for the Who, what, where, when, and why, I have a group called Workflow, in which I put status for each picture, temporary comments and labeling, where I’ve posted the “ready-results” etc. The editing and culling works fine, but keywording I still find too slow in Raw (due to lack of hierarchical keywords). I’m so used to using hierarchical keywordings, so right now, my batch of 100% ready-photos are piling up :-(. I’ve just this year abandoned LR completely, except for the slideshow, keywording and filtering on keywording function which I really miss in Raw. However, I have 3 issues with my culling process in Raw (which in most strategies are very similar to yours). I see a huge improvement over the past 10 years, and my 5-star is no longer really 5-stars… The way you put it, reserving higher star rating for the future, I can really relate to. As my time available for photographing is slowly decreasing for every year, but I still really enjoy carrying my camera around and I do take more photos with a higher keep-rate, the culling and star-rating process need some attention. I get encouraged I’m on the right track by watching this great video. With regard to my mobile backup, I dump it once I transfer those files to my desktop Drobo which is backed up to local drives as well as BackBlaze in the cloud. □ I’m trying to get back to that film way of doing things. Someday I might go back and look through the unmarked ones again (or not). If I’m done editing a folder and I’m satisfied, then I dump the ones marked for deletion and call it good. If I don’t get what I need from the 2 stars, I look to the 1s (and rarely the unmarked). What I now do is leave those I really can’t immediately decide on unmarked, flag what I think is junk for deletion (and filter to hide them) and mark the 1 and 2 stars. For some reason we want more from our digital files and it’s harder to scrap. You shot 36 and on a good roll you kept 10. □ I remember in the film days just tossing slides off the light table that weren’t just right. Thanks for the kind words Neil! I’ve come to this over a long painful process myself, and I have scads of folders over decades that beg for this treatment too. ![]() I’ll try and carry your method in mind next time I have a large batch of images and see if I can be more “disciplined!”. And it becomes a chore to go back through years of old images to cull. Still, in my process, I have that backup, but I never seem to finish the cull, as you said. Then I feel more comfortable that I have a complete archive of the originals. ![]() Do you just delete the whole backup set when your edited set makes it home safely? In my own process, I wouldn’t delete anything until I backed up the full set to Blue-Ray BD (or DVD) discs. One thing that I noted here that I liked but went unmentioned so I’ll call it out…you never culled or deleted your backup copy you made when importing. I end up with about a 1TB or even a bit more per year of photos (and I only have a 24mp camera). While that easily lets me go back and find more that I liked, it leaves me with a lot of photos. You nailed it too in terms of my biggest problem…I am more likely to skim through the batch, pick the ones I like, and start editing. I like your 1 and 2 star approach as well for years, unfortunately, I’ve basically used the whole gammut from 1 to 5, where anything below 3 is probably a delete–but that’s for later! You are deleting in the first pass, and I like that, because in retrospect, I accumulate too many photos and then it’s a continuing problem to go through and later cull. Especially when you have two very similar photos that you can’t eliminate based on composition. That takes the most time (especially in LR). I feel I can’t mark a photo deleted unless I zoom in and check absolute sharpness of my subject. It’s information I look for all the time to try to streamline my process, which I’ll say is still painful. ![]() |